孙永印，1954年出生，天津市人，中国美术家协会会员，中国电影家协会会员，中央美术学院进修，中国现代艺术研究中心高级研究员，八一电影制片厂美术师 （中国第十七届电影金鸡奖最佳美术奖获得者）
1972年参加中国人民解放军。
1976年中央美术学院进修。
1978年调入八一电影制片厂工作。
1979年天津美术出版社出版连环画《老兵》。
1980年人民美术出版社出版连环画《航行日记的秘密》。
1981年河北美术出版社出版连环画《九颗夜明珠》。
1982年山西人民美术出版社出版《百国历史》连环画。
1983年山西人民美术出版社出版《百国战争》连环画。
1984年人民美术出版社出版连环画报《丑石》入选《行军路上饭菜香》第六届全国美展。
1985年-1987年参加中日合拍的电影《敦煌》，任副美术师。
1988年-1991年参加电影《大决战》拍摄，任副美术师。
1992年-1994年参加电影《大转折》拍摄，任美术设计师。参加第八届全国美展，油画作品《破土》入选并被私人收藏。
1997年获得中国第十七届电影金鸡奖最佳美术奖，出版《中国历代人物造型》中英文大型画册，油画《死生之地》入选第九届全军美展。
1998-1999年参加电影《大战宁沪杭》拍摄，任美术设计师。
2000年 油画作品《冬韵》登载在第12期的《美术》封面，参加第九届台北国际艺术博览会，油画《大别山的孩子》被台北三希堂收藏，成为中国美术家协会会员，油画《东方》入选文化部、广播电影电视部第四届美术作品展，油画《印记》入选建国50周年全军美术作品展油画作品《印记》被私人收藏，油画《冬韵》在深圳动产拍卖会收藏家收藏。
2001年 油画《沉积》荣获2001年北京国际艺术博览会特等奖，油画《红墙》入选全军“远太杯”美术作品展，荣获二等奖并被私人收藏，油画《月光》太平洋国际拍卖会收藏家收藏。
2002年油画《沉积》入选第十届全军美展，油画《夕阳》太平洋国际拍卖会收藏家收藏油画《铜车马》参加北京国际博览会被私人收藏。
2003年参加电影《惊涛骇浪》拍摄，任美术设计师。
2004年参加电影《北纬三八线》拍摄，任美术设计师。
2005年出国考察，在瑞士举办个人画展。
2006年参加电影《白鹭的恋歌》拍摄，任美术师。
2007年参加电影《唐山绝恋》拍摄，任美术师。
2008年创作油画兵马俑系列《回首》、《筑城》等。
2009年创作油画作品《逝去的阵地》、《死生之地》等2010年天津美术出版社出版个人画集《中国现当代书画名家艺术大成》。
2011年文联出版社出版《艺术大师三人行》，四川出版集团出版《聚焦当代翰墨名家》，油画《跪射俑》在保利精品拍卖会上被私人收藏。
2012年中央电视台CNTV专题采访《画家孙永印》，中国书画出版社出版《一代大师》，油画《黄河祭》《守城者》《死生之地》在两会期间百家媒体报道，向中国共产党第十八次全国代表大会献礼，孙永印-中国当代最具影响力书画名家作品展网络媒体报道展播。
2013年中央6台《电影人物》专题报道电影美术师孙永印。
2015年瑞典皇家艺术学院授予博士学位。
其油画作品《行军路上》入选第六届全国美展《破土》入选第八届全国美展《死生之地》入选第九届全军美展《沉积》（秦佣系列之二） 入选第十届全军美展《沉积》（秦佣系列之三） 荣获2001北京国际艺术博览会特等奖《红墙》 入选全军“远太杯”美术作品展，荣获二等奖《东方》入选文化部、广播电影电视部第四届美术作品展《印记》入选建国50周年全军美术作品展《月光》太平洋国际拍卖会收藏家收藏《夕阳》太平洋国际拍卖会收藏家收藏《冬韵》深圳动产拍卖会私人收藏
《黄河祭》在两会期间百家媒体报道
许多作品被美国、法国、瑞士、日本、新加坡、马来西亚、台湾、香港和内地收藏家收藏。
另著作《中国历代人物造像》由国家外文局《今日中国》出版社出版，以中，英文两种文版在国内外发行。
曾多次在中国《美术》、《军旅画家》、《解放军文艺》、《人民日报》、《当代绘画交流》、《解放军报》、《传奇天下特刊》等报刊上刊登作品。
构绘历史主旨深厚 技归心境独树一帜
——记著名油画家孙永印
孙永印是一位非常专业的油画家，但是他与其他油画创作者有更加高远深沉的艺术思索习惯。画笔不随意浅绘风花雪月，时时能够深刻触及民族文化的精髓。他把历史深处的现实场景，通过油画的精工与庄严，表达触碰历史的文化责任意识，所以兵马俑通常是他借为所用的历史文化符号，用这种极有文化厚度的符号借助油画构建民族精魂，为五千年传承的历史点睛成采，在看似静谧的画境空间里，隐藏着宏大的文化叙述和精致的心境表达。
他的油画艺术，不仅仅为“画”而成，还在于为责任而担当，是油画叙事民族精神的卓意表现。孙永印用非常专业的画技，把油画的主旨构造引领至崇高意境。画面创作绝不为把玩独赏，而是要用画家的天赋才华，给人们带来心灵的震撼，用兵马俑的幻相记载一个又一个精彩的文化瞬间。站在这个角度来讲，孙永印的油画已经升华为民族的精神史记，达古通今，泱泱五千年的民族风尚，在他的油画里滚滚涌出，成为令人仰望而生情怀的艺术涤荡。
作为一个致力于用画笔记载民族精神的写实主义画家，孙永印的油画创作时刻能把准上层建筑的精神总脉，政治、经济、文化以及教育诸多因素的变化与转折，都是触动孙永印忽生灵感，顿悟成佳品的契机。也就是说，他的艺术是基于真实的现实环境而成就的艺术精华，以兵马俑寓意，不是抽成真空的虚幻。现实与真实，汇成时代洪流，是孙永印极力构成的画风质感，他的油画作品能引领人们的道德观、审美意趣，更能驾驭人们在新时代里的价值取向，触动人心就成为艺术化归感染力的必然。与其说他在用画笔画油画，不如说他是在用自己的丰富阅历在解析思想，滋养时空，在激发人们对现实的思索和对未来的展望。历史与未来的承接，中间恰好隔着孙永印的油画巨制，他的艺术就是沟通过去和未来的桥梁。
油画对历史和未来的表现力，从来没有人能像孙永印这样，把这种力量推崇到极高极强大的境界。他的油画艺术不只是为实现小我的艺术理想，而是要去追寻家国能融的宏大气质，他的油画创作既是一种专业技能的自由表达，也是文化任务的重大担当。当许多油画艺术家正缺乏这种文化担当意识，仅以油画写风月的时候，孙永印却大踏步伐，坚韧前行，文化有担当的艺术创作，不但确立了他在油画艺术天空的璀璨位置，也被授予油画可成主流的创作机遇，所以尽得油画之功，亦可安心享得油画之名。
构绘历史主旨深厚 技归心境独树一帜。构图源成经典，笔触尽得细腻，含蓄自然，从容大度，深藏气势恢弘。孙永印油画，打破旧有宏大文化主旨油画创作的旧路藩篱，不刻意说教文化，也不过度灌输精神，而是善于用寄寓的艺术手法，把主旨情感和精神寄寓于历史的深处，让作品始终饱含内在的震撼力，所以他的油画不是观感的刺激，而是对心灵的触动与俘获。他的油画总能呈现心有灵犀的意境，给人留下难以抹除的深刻印象！
华艺书韵文化传媒艺术总监 原央视高级书画评论家刘振华
2018年4月11日
Sun Yongyin, born in 1954 in Tianjin, is a member of the China Artists Association and the China Film Association. He pursued further studies at the Central Academy of Fine Arts and serves as a senior researcher at the China Modern Art Research Center. Additionally, he is an artist at the Bayi Film Studio and the recipient of the Best Art Direction Award at the 17th Golden Rooster Award for Chinese films
Joined the Chinese People's Liberation Army in 1972.
In 1976, he pursued further studies at the Central Academy of Fine Arts.
In 1978, he was transferred to work at the Bayi Film Studio.
In 1979, Tianjin Fine Arts Publishing House published the comic strip "Old Soldier".
In 1980, the People's Fine Arts Publishing House published the comic book "The Secret of the Voyage Diary".
In 1981, Hebei Fine Arts Publishing House published the comic book "Nine Pearl-Like Beads".
In 1982, Shanxi People's Fine Arts Publishing House published the comic book "History of Hundred Countries".
In 1983, Shanxi People's Fine Arts Publishing House published the comic book "Hundred Nations War".
In 1984, the comic book "Ugly Stone" published by People's Fine Arts Publishing House was selected for the 6th National Art Exhibition in the exhibition "The Aromatic Meals on the Marching Road".
From 1985 to 1987, he participated in the Sino-Japanese co-production film "Dunhuang" as a deputy art director.
From 1988 to 1991, he participated in the filming of the movie "The Great Battle" as a deputy art director.
From 1992 to 1994, he participated in the filming of the movie "Great Turning Point" and served as an art designer. He participated in the 8th National Art Exhibition, and his oil painting "Breaking Ground" was selected and collected by a private individual.
In 1997, he won the Best Art Design Award at the 17th Golden Rooster Award for Chinese films. He published a large-scale art book titled "Chinese Historical Figures" in both Chinese and English, and his oil painting "Land of Death and Life" was selected for the 9th All-Army Art Exhibition.
From 1998 to 1999, I participated in the filming of the movie "The Battle of Ningbo-Shanghai-Hangzhou" as an art designer.
In 2000, the oil painting "Winter Charm" was featured on the cover of the 12th issue of "Fine Arts" and participated in the 9th Taipei International Art Fair. The oil painting "Children of Dabie Mountains" was collected by Taipei Sanxi Tang. He became a member of the China Artists Association. The oil painting "The East" was selected for the 4th Art Exhibition organized by the Ministry of Culture and the Ministry of Radio, Film and Television. The oil painting "Imprint" was selected for the All-Army Art Exhibition marking the 50th anniversary of the founding of the People's Republic of China. The oil painting "Imprint" was collected by a private individual, and the oil painting "Winter Charm" was collected by a collector at the Shenzhen Movable Property Auction.
In 2001, the oil painting "Deposition" won the Special Prize at the 2001 Beijing International Art Fair. The oil painting "Red Wall" was selected for the "Yuanta Cup" Art Exhibition of the entire military, won the second prize, and was collected by a private individual. The oil painting "Moonlight" was collected by a collector at the Pacific International Auction.
In 2002, the oil painting "Deposition" was selected for the 10th All-Army Art Exhibition. The oil painting "Sunset" was collected by a collector at the Pacific International Auction. The oil painting "Bronze Chariots and Horses" was exhibited at the Beijing International Expo and collected by a private individual.
In 2003, he participated in the filming of the movie "Tide of War" as an art designer.
In 2004, he participated in the filming of the movie "The 38th Parallel North" as an art designer.
In 2005, I went abroad for a study tour and held a solo art exhibition in Switzerland.
In 2006, he participated in the filming of the movie "The Love Song of the White Egret" as an artist.
In 2007, he participated in the filming of the movie "Tangshan Love", serving as an art designer.
In 2008, he created the oil painting series of Terra Cotta Warriors, including "Looking Back" and "Building the City".
In 2009, he created oil paintings such as "The Lost Battlefield" and "Land of Life and Death". In 2010, Tianjin Fine Arts Publishing House published his personal art collection titled "The Artistic Masterpieces of Chinese Modern and Contemporary Calligraphy and Painting Masters".
In 2011, Wenlian Publishing House published "Three Masters of Art", while Sichuan Publishing Group released "Focus on Contemporary Calligraphy Masters". The oil painting "Kneeling Archer" was acquired by a private collector at the Poly Fine Art Auction.
In 2012, CCTV's CNTV conducted a special interview with "Painter Sun Yongyin", and the China Calligraphy and Painting Publishing House published "A Master of the Generation". The oil paintings "River Prayer", "City Guardian", and "Land of Life and Death" were reported by hundreds of media during the Two Sessions, as a tribute to the 18th National Congress of the Communist Party of China. Sun Yongyin - Exhibition of Works by the Most Influential Calligraphy and Painting Master of Contemporary China was broadcasted online.
In 2013, CCTV-6's "Movie Characters" featured a special report on film artist Sun Yongyin.
In 2015, the Royal Swedish Academy of Arts conferred a doctoral degree upon me.
His oil painting works
"On the March" was selected for the 6th National Art Exhibition
"Breaking Ground" was selected for the 8th National Art Exhibition
"Land of Life and Death" Selected for the 9th All-Army Art Exhibition
"Deposition" (Part 2 of the Qin Terracotta Series) was selected for the 10th All-Army Art Exhibition
"Deposition" (Part Three of the Qin Terracotta Series) won the Special Prize at the 2001 Beijing International Art Fair
"Red Wall" was selected for the all-army "Yuanta Cup" Art Exhibition and won the second prize
"Dongfang" was selected for the 4th Art Exhibition organized by the Ministry of Culture and the Ministry of Radio, Film, and Television
"Imprint" was selected for the All-Army Art Exhibition for the 50th Anniversary of the Founding of the People's Republic of China
"Moonlight" collected by a collector at the Pacific International Auction
"Sunset" collected by a collector at the Pacific International Auction
"Winter Charm" - Private Collection from Shenzhen Movable Property Auction
"Yellow River Rite" reported by hundreds of media during the Two Sessions
Many of his works have been collected by collectors from the United States, France, Switzerland, Japan, Singapore, Malaysia, Taiwan, Hong Kong, and the mainland.
Another work, "Statues of Chinese Historical Figures," has been published by China Today Press, a subsidiary of the State Administration of Foreign Languages, and is available in both Chinese and English editions for distribution both domestically and internationally.
His works have been published multiple times in Chinese newspapers and magazines such as "Fine Arts", "Military Painter", "Liberation Army Literature and Art", "People's Daily", "Contemporary Painting Exchange", "Liberation Army Daily", and "Legend World Special Issue".
The main theme of historical depiction is profound, and the technique is unique to the artist's state of mind
-- In Memory of Renowned Oil Painter Sun Yongyin
Sun Yongyin is a highly professional oil painter, but he possesses a more profound and profound artistic contemplation habit compared to other oil painting creators. His brush does not casually depict frivolous subjects, but always deeply touches the essence of national culture. He expresses the cultural responsibility consciousness of touching history through the exquisite and solemn craftsmanship of oil painting, depicting realistic scenes from the depths of history. Therefore, the Terra Cotta Warriors are often the historical and cultural symbols he uses, employing this highly culturally rich symbol to construct the national spirit through oil painting, adding color and brilliance to the five thousand years of historical inheritance. In the seemingly tranquil painting space, there lies a grand cultural narrative and exquisite expression of mood.
His oil painting art is not merely created for the sake of "painting", but also embodies a sense of responsibility and duty. It is a remarkable expression of the national spirit in oil painting narratives. Sun Yongyin employs highly professional painting skills to lead the theme of oil painting to a noble artistic conception. The creation of the painting is not for mere enjoyment and appreciation, but rather to utilize the painter's innate talent to bring a spiritual shock to people, using the illusory images of the Terra Cotta Warriors to record one splendid cultural moment after another. From this perspective, Sun Yongyin's oil paintings have been sublimated into a spiritual chronicle of the nation, bridging the past and the present, with the vast 5000-year-old national customs surging forth in his oil paintings, becoming an artistic expanse that inspires admiration and evokes emotions.
As a realist painter dedicated to capturing the national spirit through his brush, Sun Yongyin's oil painting creations consistently grasp the spiritual essence of the superstructure. Changes and transitions in politics, economy, culture, and education all serve as opportunities that spark Sun Yongyin's sudden inspiration and epiphanies, resulting in excellent works. In other words, his art is the essence of art achieved based on real-life environments, symbolized by the Terra Cotta Warriors, rather than being an abstract illusion. Reality and truth converge into a flood of the times, which is the artistic style and quality that Sun Yongyin strives to create. His oil paintings can lead people's moral values and aesthetic tastes, and can even guide people's value orientation in the new era. Touching people's hearts becomes the inevitable result of artistic expression and appeal. Rather than saying that he is painting with a brush, it would be more accurate to say that he is using his rich experience to analyze thoughts, nourish time and space, and inspire people to ponder reality and look forward to the future. The connection between history and the future is precisely separated by Sun Yongyin's oil painting masterpieces, and his art serves as a bridge between the past and the future.
No one has ever been able to elevate the expressive power of oil painting to such an extremely high and powerful level as Sun Yongyin. His oil painting art is not merely for the realization of personal artistic ideals, but rather for pursuing a grand temperament that integrates family and country. His oil painting creation is not only a free expression of professional skills, but also a significant undertaking of cultural responsibility. When many oil painting artists lack this sense of cultural responsibility and merely use oil painting to depict scenery and beauty, Sun Yongyin has made great strides and persevered forward with determination. His culturally responsible artistic creation has not only established his brilliant position in the realm of oil painting art, but also granted him opportunities for mainstream creation in oil painting. Therefore, he can fully enjoy the fame of oil painting while fully utilizing its potential.
The historical theme of his paintings is profound, and his technique is unique in its expression of inner feelings. The composition is classic, the brushstrokes are delicate, subtle, natural, and graceful, with a profound and magnificent aura. Sun Yongyin's oil paintings break away from the old path of creating oil paintings with grand cultural themes. Instead of deliberately preaching culture or excessively instilling spirituality, he is adept at using symbolic artistic techniques to embody the theme, emotions, and spirit in the depths of history, so that his works always contain an inherent shocking power. Therefore, his oil paintings are not about sensory stimulation, but about touching and captivating the soul. His oil paintings always present a kindred spirit, leaving a deep and indelible impression on people!
Liu Zhenhua, Artistic Director of Huayi Shuyun Culture Media and former senior calligraphy and painting critic of CCTV
April 11, 2018
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