享誉全球——蜚声国际的顶级艺术大师赵玉凤

赵玉凤，女，汉族，1938 年生于山西古县，1962 年毕业于山西艺术学院美术系。1986 年赴甘肃敦煌艺术考察，1989 年至 1992 年，由国家文物局组织，先后多次赴山西芮城永乐宫壁画研究所进行大规模复制工作。现为北京美协会员、中国现代重彩画协会会员、中国美术家协会会员、中山书画社理事、 中国中外名人文化艺术研究会研究员、中国一级美术师、高级美术师、 中华人民共和国国宾礼艺术家，非遗传承人。

1989 年 12 月 6 日，墨西哥驻华大使馆举办个人画展，其中 26 幅精品为国际友人收藏；1995 年 9 月 9 日，中国当代美术馆举办中澳女画家《从不同开始》精品联展，其中 10 幅作品全部为澳使馆官员收藏 1999 年，受邀参加中国妇女活动中心《迎澳门回归》四人联展；1999 年 7 月，作品《永乐宫壁画局部之西王母玉女部分》被中国古代建筑博物馆收藏；2002 年 5 月 1 日，应邀赴澳大利亚昆士兰詹姆斯库克大学美术馆和文森特画廊举办的主题为《传统与现代——中国画现代重彩画展》，展期一个月，校长及部分艺术家教师均收藏其作品；其代表作品《长城之梦》《水星之梦》《静静的荷塘》《金星圆梦》等被集中出版，被《当代中华文化名家专题邮票》评审委员会评为“当代中国美术经典作品”，特授予“当代中国美术优秀艺术家”荣誉称号，并被中国国家博物馆收藏。

近十余年来，一直潜心创作，并积极参与公益事业，与传统文化一道，共绘精谨细腻的工笔画之春；2018 年 6 月，作品《泊来金辉 • 红色郁金香》申请版权，并发布定制服装配饰等衍生品，演绎多维度传统文化；2018 年 9 月，代表中国女画家出访欧洲参加水墨中国大展；其新作《敦煌舞乐 • 诸事保福》被献至福州保福寺典藏，并永久展览；2019 年，其展现敦煌飞天艺术的作品《心源》问世，诠释着工笔重彩有界无边。

Zhao Yufeng, female, Han nationality, was born in Guxian County, Shanxi Province in 1938. She graduated from the Fine Arts Department of Shanxi Art College in 1962. In 1986, she conducted an artistic research trip to Dunhuang, Gansu Province. From 1989 to 1992, organized by the State Administration of Cultural Heritage, she made multiple trips to the Yongle Palace Mural Research Institute in Ruicheng, Shanxi Province to carry out large‑scale mural reproduction work. She is currently a member of the Beijing Artists Association, a member of the China Modern Heavy‑Color Painting Association, a member of the Chinese Artists Association, a director of the Zhongshan Calligraphy and Painting Society, a researcher at the China Sino‑Foreign Celebrity Culture and Art Research Association, a first‑class national artist, a senior artist, a national guest‑gift artist of the People’s Republic of China, and an inheritor of intangible cultural heritage.

On December 6, 1989, a solo exhibition of her paintings was held at the Mexican Embassy in China, where 26 fine works were collected by international friends. On September 9, 1995, the joint exhibition Starting from Differences featuring fine works by Chinese and Australian female painters was held at the China Contemporary Art Museum, and all 10 of her exhibited works were collected by officials of the Australian Embassy. In 1999, she was invited to participate in the four‑person joint exhibition Welcoming Macao’s Return at the China Women’s Activity Center. In July 1999, her work Part of the Western Queen Mother and Jade Maidens from Yongle Palace Murals was collected by the China Ancient Architecture Museum. On May 1, 2002, she was invited to hold the exhibition Tradition and Modernity – Modern Chinese Heavy‑Color Paintings at the Art Museum of James Cook University and the Vincent Gallery in Queensland, Australia, which lasted for one month. The university president and some artists and teachers collected her works. Her representative works such as Dream of the Great Wall, Dream of Mercury, Quiet Lotus Pond and Dream Fulfillment of Venus have been compiled and published collectively. They were rated as “Classical Works of Contemporary Chinese Fine Art” by the Review Committee of Stamps Featuring Special Topics on Contemporary Chinese Cultural Celebrities. She was specially awarded the honorary title of “Outstanding Contemporary Chinese Fine Artist”, and her works have been collected by the National Museum of China.

Over the past decade, she has devoted herself to artistic creation and actively participated in public welfare undertakings, striving for the flourishing of the meticulous and exquisite fine‑line painting art together with traditional culture. In June 2018, her work Imported Golden Radiance · Red Tulips was copyrighted, and derivatives such as customized clothing and accessories were launched to interpret traditional culture in multiple dimensions. In September 2018, she represented Chinese female painters on a visit to Europe for the Ink China Art Exhibition. Her new work Dunhuang Dance and Music · Blessings for All Affairs was dedicated to Baofu Temple in Fuzhou for permanent collection and exhibition. In 2019, her work Source of the Heart, showcasing Dunhuang flying apsaras art, was created, interpreting the boundless artistic realm of fine‑line heavy‑color painting within defined techniques.